A Minute With: Harrison Ford, Ryan Gosling on ‘Blade Runner 2049’
By Rollo Ross
LOS ANGELES (Reuters) – The long-awaited sequel to the cult classic “Blade Runner,” a 1982 sci-fi thriller, finally hits movie theaters on Friday.
But there is not much that stars Harrison Ford and Ryan Gosling can say about “Blade Runner 2049,” for fear of revealing major plot spoilers.
Ford, who reprises his role as an older Rick Deckard, and Gosling as a new ‘blade runner’ Officer K, told Reuters that the film offers a glimpse into the potential impact of a rapidly changing climate and an increasingly isolated society reliant on technology.
This interview has been edited for length and clarity.
Q: The first film touched upon the future or what they envisaged the world to be. Now we’re 30 years on, what elements does this film address which you think will resonate with audiences today?
Gosling: “Overpopulation, global warming, being isolated by technology.”
Ford: “Social inequity.”
Gosling: “The false narratives we create about large groups of people in order to make ourselves feel better about how awful their circumstances are.”
Ford: “The necessity to have a moral structure into which to pour what’s possible and to make judgments about what we use and what we don’t use.”
Q: How would you say this film pushes forward messages about humanity that weren’t covered in the first one?
Ford: Well I would just quibble with the word ‘message’ because it’s an experiential opportunity because you discover your relationship to the ideas in the context of an emotional geography so I think as an audience, it has an opportunity to engage you in a way that is pretty rare.
Q: How did you go about playing your character with ambiguity as it is not always known who is a human and who is a Replicant?
Ford: I don’t think there’s a style to the acting necessarily. There is so much new information coming at you as a character and as an audience that you just want to be still and make sure that you’re reading this right, that you really know what’s going on so the characters are constantly in the midst of a dilemma that is like drinking out of a gardening hose. There is so much happening to them that it’s close to overwhelming for them.
(Reporting by Rollo Ross for Reuters TV; Editing by Piya Sinha-Roy and Diane Craft)
0 Comments